I wouldn't say they can do Lamb of God or something all that great, but things like Maiden, Metallica, and Megadeth, they'll do well.ĭamn, you're such a petty, sniveling, little prick. They excel at clean, blues, and all the way to heavy rock. I think they have a bit more sizzle in a mahogany body like an LP, but they aren't dark by any means. Mahogany isn't too far from alder if you think about it. 25 guitars is too much for a home noodler like me. I hate to let even one of them go because each one of them means something to me, but one thing I didn't think about when I started building them is what a hassle they are to keep up with. I'm throwing in some free pots and caps so whoever buys them can fix them up the way they want. However, I often use regular pickguards in case I want to go and wire them with standard strat wiring later. Well I'm not too much into splitting or even using the middle pickups, so I only wire them for bridge or neck with a two-way toggle. I'm not really looking for trades, but would consider a Metropoulos Metroplex or Superplex, Friedman BE/SS/or JJ, Bogner XTC 101B or 20th, or Wizard MTL. Cream body, Maple neck, Dimarzio Air Zone/Injector, Gotoh 510 tremolo, and Fender F-logo locking tuners (single-coil is either a Fender American Std., Texas Special, or Tex-Mex can't remember) Vintage white body, Afra/Ebony w/Dimarzio Breed/PAF Pro, Gotoh 510 tremolo, and Kluson locking tunersĦ. Fiesta red satin body, Roasted Maple/Rosewood w/Bareknuckle Holy Divers, Gotoh vintage bridge, and Gotoh Magnum Lock tunersĥ. Transparent ebony body, Flame Maple/Kingwood (heel adjustment only) w/Seymour Duncan Custom/Jazz, Gotoh 510 tremolo, and Fender F-logo locking tunersĤ. Sonic blue body, maple w/Suhr Aldrich set, Wilkinson VS100 tremolo, and Sperzel locking tunersģ. Candy red body, Birdseye Maple/Rosewood Seymour Duncan YJM & G&L single-coil, Fender American 6 hole trem, and Kluson locking tunersĢ. Here are detailed specs as they are pictured from left to right:ġ. I don't really want to sell them separately, but I'll price them at $550 each. I'm pricing this at $2499 + shipping, but I'm mainly looking for a high-end amp. (For reference, 6150 is standard jumbo size)Ħ115 are as tall as super jumbo, but a bit narrower All bodies and necks are Warmoth, so you know you're getting the best.įret Sizes from left to right: candy red 6115, sonic blue 6105, trans ebony 6115, fiesta red satin 6230, vintage white 6100, cream 6100 The necks are mostly standard profile with compound radius of 10-14 or 10-16, one is a boatneck and another I think is an 59 roundback profile. I typically shoot between 4 to 4.2 lbs for light weight and good sustain. Bodies are all between 3 lbs & 12 oz to 4 lbs 4 oz. You will be set to wire them and set them up how you like. They're typically wired with a 2-way switch to go between bridge and neck. I'm including a few new volume/tone pots and Orange Drop caps free. I just don't have the time to maintain them, restring them, etc. No matter how you slice it, there's no way you can build these for less than $5500. The pickups alone are worth hundreds of dollars. They all have stainless steel frets, Gotoh, Schaller, Fender American, Bourns and CTS pots, Orange Drop and Sozo caps, etc. Here are SIX incredible guitars for sale. STRINGS: Mapes Blues *CUSTOM ORDER, SOLD*I've just got too many guitars to keep up with. PICKUP: 3 P-90s with MusickSmith Rosewood coversĬONTROLS: Bridge/Neck volume, Middle Volume, Master Tone, 3 way toggle Knobs: Custom Rosewood with pewter knobs from Archipelago Glass TUNERS: Gotoh vintage style locking tuners Never sticky. The rosewood pickup covers were made in our shop.īODY WOOD: Figured Spanish Cedar and Flame Maple A light tru-oil finish on the solid rosewood neck is both beautiful and incredibly easy to play. 3 p90s, a 3-way switch, two volumes and a master tone control have been wired up to allow for 7 different pickup combinations and for endless variation when blending the pickups together using the volume knobs. We ended up with an incredibly versatile guitar that is just as happy playing a country tune as it is playing spaced out jazz-rock. This guitar is an homage to one of our favorite innovators in guitar building (Leo F) and one of our favorite innovators in guitar playing (Jerry Garcia). We started with a design from the godfather of electric guitar innovation and then we poured in some twists from Garcia's early/mid 70's era guitars.
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